We wanted to do two different sound environments. The dark and eery basement and the silent hallways and rooms of the old residents.
The two worlds would slowly collide as the series progressed and got darker.
The foley was done by the amazing Catrine le Dous.
Jamie Louis Thurman did the first couple passes of atmospheres and effects and I later cut or added effects. This was very nice because it ment that I could have a kind of “Jamie” knob in the mix.
The score was composed by Sune “Køter” Kølster. All source music was selected by me.